• Exhibitions
    • Current Exhibitions
    • Upcoming Exhibitions
    • Past Exhibitions
    • Online Exclusive: Mahmoodkhan
    • Online Exclusive: Mizusashi
    • The Real Surreal Part III: How The Light Gets In
  • Artists
    • Self-Taught (A-L)
    • Self-Taught (M-Z)
    • Contemporary
    • Ceramicists (A-L)
    • Ceramicists (M-Z)
  • Publications
    • Catalogs
    • Books
  • Fairs
  • Appraisals
  • Fieldnotes
  • Accessibility
  • New Arrivals
  • Contact

CAVIN-MORRIS GALLERY

  • Exhibitions
    • Current Exhibitions
    • Upcoming Exhibitions
    • Past Exhibitions
    • Online Exclusive: Mahmoodkhan
    • Online Exclusive: Mizusashi
    • The Real Surreal Part III: How The Light Gets In
  • Artists
    • Self-Taught (A-L)
    • Self-Taught (M-Z)
    • Contemporary
    • Ceramicists (A-L)
    • Ceramicists (M-Z)
  • Publications
    • Catalogs
    • Books
  • Fairs
  • Appraisals
  • Fieldnotes
  • Accessibility
  • New Arrivals
  • Contact
SiP 16.jpg OK 9.jpg NFro 7.jpg LLu 23.jpg CCa 18.jpg JBe 8.jpg JPN 34.jpg JCr 12.jpg SLH 24.jpg DKoo 122.jpg Tck 1.jpg DHav 8.jpg Cze 26.jpg AZe 493.jpg YN 14.jpg PyM 3.jpg

 

Cavin-Morris Gallery has been exhibiting Contemporary artists from around the world for almost 40 years. We specialize in the work of contemporary artists who do not intentionally make art for the art world mainstream canon. We represent past and new generations of artists whose work ultimately feels timeless to us.

We show an eclectic selection of tribal art from all the major regions of the world, focusing on the unusual and the formally surprising, focusing on the arts of masking.

We also concentrate on both functional and non-functional contemporary ceramics. We are especially interested in the way certain ceramists push the envelope in their expression of traditional forms and cultures. We show work by Western ceramic artists, as well as works by artists from Japan, Korea, and China.

The common thread that connects all this art is its uniqueness, its integrity, visionary authenticity, and its reflection of cultural homeground. We look for the place where labels become irrelevant and the work remains urgent, immediate, and singular.