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CAVIN-MORRIS GALLERY

  • Exhibitions
    • Current Exhibitions
    • Upcoming Exhibitions
    • Past Exhibitions
  • Artists
    • Self-Taught (A-L)
    • Self-Taught (M-Z)
    • Contemporary
    • Ceramicists (A-L)
    • Ceramicists (M-Z)
  • Publications
    • Catalogs
    • Books
  • Fairs
  • Appraisals
  • Fieldnotes
  • Accessibility
  • New Arrivals
  • Contact

EARTH SKIN

View fullsize   Eddie Curtis    Object  , 2014 Handformed clay, applied texture and oxides on outer surface, on wood stand 5 x 5 x 4 inches 12.7 x 12.7 x 10.2 cm ECu 5
View fullsize   Jane Wheeler    Black Ice Flagon  , 2013 Stoneware clay with chun glaze, slab built 10.5 x 9.75 x 5.75 inches 26.7 x 24.8 x 14.6 cm JWh 2
View fullsize  Jane Wheeler Black Ice Flagon, 2013 Stoneware clay with chun glaze, slab built 14.75 x 9.45 x 6.5 inches 37.5 x 24 x 16.5 cm JWh 3
View fullsize  Jane Wheeler Black Ice Lidded Oval Box, 2013 Stoneware clay with chun glaze, slab built 7.25 x 4.75 x 45 inches 18.4 x 12.1 x 114.3 cm JWh 4
View fullsize  Melanie Ferguson Ripe Berries Moon, 2015 Handbuilt stoneware, flashing slips, oxide stains, soda fired, heavy reduction 15 x 10 x 8 inches 38.1 x 25.4 x 20.3 cm MFe 27
View fullsize  Melanie Ferguson Their Eyes Grew Round Like Moons, 2015 Hand built stoneware, flashing slip, oxide stains, Pier Black liner, soda fired in heavy reduction 13 x 16 x 10 inches 33 x 40.6 x 25.4 cm MFe 30
View fullsize  Melanie Ferguson Engaging Currents of an Endless Sea, 2016 Hand built stoneware, flashing slip, oxide stains, wood, iron, steel; fired in soda 13.5 x 16.5 x 11 inches 34.3 x 41.9 x 27.9 cm MFe 31
View fullsize  Melanie Ferguson Restricted Zone, 2016 Hand built stoneware, sgraffito, flashing slip, oxide stains, celedon liner, gas fired soda 8 x 13 x 13 inches 20.3 x 33 x 33 cm MFe 32
View fullsize  Melanie Ferguson Battles Left Behind, 2016 Hand built lidded vessel; stoneware, flashing slip, glaze, oxide stains, gas fired in soda, bone, glass, dandelion seed, wire, silver, leather 17 x 13.5 x 10 inches 43.2 x 34.3 x 25.4 cm MFe 34
View fullsize  Mitch Iburg Ember Buried Urn, 2016 Handbuilt unprocessed California kaolin and fireclay, wood fired for 4 days 12 x 11 x 11 inches 30.5 x 27.9 x 27.9 cm Mib 11
View fullsize  Mitch Iburg Ember Buried Urn, 2016 Handbuilt unprocessed California kaolin and fireclay, wood fired for 4 days 11 x 11 x 11 inches 27.9 x 27.9 x 27.9 cm Mib 12
View fullsize  Mitch Iburg Vessel, 2016 Handbuilt unprocessed California kaolin and fireclay, wood fired for 4 days 10.5 x 9.5 x 9.5 inches 26.7 x 24.1 x 24.1 cm Mib 13
View fullsize  Mitch Iburg Ember Buried Urn, 2016 Handbuilt unprocessed California kaolin and fireclay, wood fired for 4 days 7 x 7 x 7 inches 17.8 x 17.8 x 17.8 cm Mib 14
View fullsize  Rebecca Buck Wyvern V, 2015 Ceramic 10.5 x 20 x 10 inches 26.7 x 50.8 x 25.4 cm RBk 1
View fullsize  Rebecca Buck Wyvern VIII, 2015 Ceramic 15.35 x 27.95 x 13.39 inches 39 x 71 x 34 cm RBk 4
View fullsize  Rafa Perez Untitled, 2011 Ceramic 6 x 8.5 x 5.5 inches 15.2 x 21.6 x 14 cm RPe 5
View fullsize  Rafa Perez Untitled, 2011 Ceramic 2.5 x 12 x 9.75 inches 6.4 x 30.5 x 24.8 cm RPe 22
View fullsize  Rafa Perez Untitled, 2012 Porcelain, fired at 1150 degrees 23.62 x 14.17 x 11.02 inches 60 x 36 x 28 cm RPe 26
View fullsize  Rafa Perez Untitled, 2015 Steel mesh, porcelain, and clay fired at 1160 degrees 17.5 x 10 x 6 inches 44.5 x 25.4 x 15.2 cm RPe 49
View fullsize  Simcha Even-Chen Spiral Flow I, 2014 Slab-built, burnished, terra sigillata, Naked Raku 13 x 16 x 6 inches 33 x 40.6 x 15.2 cm SEC 4
View fullsize  Shozo Michikawa Tall Pot, 2011 Stoneware with Natural Ash glaze 19.5 x 6.5 x 6 inches 49.5 x 16.5 x 15.2 cm SMi 11
View fullsize  Shozo Michikawa Tall Pot, 2011 Stoneware with Kohiki glaze 19.5 x 7 x 6 inches 49.5 x 17.8 x 15.2 cm SMi 12
View fullsize  Sarah Purvey Rhythm - Landscape Series, 2012 Ceramic 23.62 x 16.93 x 11.42 inches 60 x 43 x 29 cm SPu 4
View fullsize  Tim Rowan Untitled, n.d. Woodfired ceramic 8 x 7.5 x 9 inches 20.3 x 19.1 x 22.9 cm TR 118
View fullsize  Tim Rowan Untitled, 2015 Ceramic 17 x 4 x 4 inches 43.2 x 10.2 x 10.2 cm TR 159
View fullsize  Tim Rowan Untitled, 2016 Woodfired ceramic 16.5 x 15 x 10 inches 41.9 x 38.1 x 25.4 cm TR 161
View fullsize  Tim Rowan Untitled, 2016 Woodfired ceramic 8 x 7 x 6.5 inches 20.3 x 17.8 x 16.5 cm TR 162
View fullsize  Tim Rowan Untitled, 2016 Woodfired ceramic 9 x 6 x 6 inches 22.9 x 15.2 x 15.2 cm TR 163
View fullsize  Tim Rowan Untitled, 2016 Woodfired ceramic 12 x 9 x 9 inches 30.5 x 22.9 x 22.9 cm TR 164
View fullsize  Youngbin Lim Untitled, 2015 Ceramic 5 x 14 x 11 inches 12.7 x 35.6 x 27.9 cm YbL 6
View fullsize  Youngbin Lim Untitled, 2015 Ceramic 8.25 x 7 x 13 inches 21 x 17.8 x 33 cm YbL 7
View fullsize  Phyllis Sullivan Vortex with Gold Line No. 1, 2016 Stoneware, gold leaf 5.5 x 16 x 8 inches 14 x 40.6 x 20.3 cm PSu 5
View fullsize  Phyllis Sullivan Vortex with Gold Line No. 4, 2016 Stoneware, gold leaf 5 x 12 x 6 inches 12.7 x 30.5 x 15.2 cm PSu 6
View fullsize  Phyllis Sullivan Vortex with Gold Line No. 3, 2016 Stoneware, gold leaf 6 x 9.5 x 9 inches 15.2 x 24.1 x 22.9 cm PSu 7
View fullsize  Phyllis Sullivan Vortex with Gold Line No. 5, 2016 Stoneware, gold leaf 6 x 12 x 7.5 inches 15.2 x 30.5 x 19.1 cm PSu 8
View fullsize  Eddie Curtis Cha-ire, 2016 Stoneware, reduction fired in brick built oil kiln at 1300 Celsius. Kurinuki technique, applied texture and oxides to outer surface, snow white shino to rim and inner surface 3.74 x 3.94 x 2.76 inches 9.5 x 10 x 7 cm ECu 1
View fullsize  Eddie Curtis Cha-ire, 2016 Stoneware, reduction fired in brick built oil kiln at 1300 Celsius. Kurinuki technique, applied texture and oxides to outer surface, snow white shino to rim and inner surface 3.54 x 3.15 x 3.15 inches 9 x 8 x 8 cm ECu 13
View fullsize  Eddie Curtis Sake set, 2016 Stoneware, reduction fired in brick built oil kiln at 1300 Celsius. Kurinuki technique, applied texture and oxides to outer surface, snow white shino to rim and inner surface ECu 14
View fullsize  Eddie Curtis Vessel, 2016 Stoneware, reduction fired in brick built oil kiln at 1300 Celsius. Kurinuki technique, applied texture and oxides to outer surface, snow white shino to rim and inner surface 6.3 x 6.69 x 4.33 inches 16 x 17 x 11 cm ECu 15
View fullsize  Margaret Curtis Square Slabbed Dish, 2016 Stoneware, reduction fired in brick built oil kiln at 1300 Celsius. Thrown and altered, black body with over-pourings of porcelain slip and celadon glaze. 3.5 x 13 x 13 inches 8.9 x 33 x 33 cm MCu 6
View fullsize  Mike Weber Tsubo, 2016 Ceramic, high-fired in anagama wood-fire kiln for multiple days, shino glazed with natural forming ash glaze 17 x 15 x 16 inches 43.2 x 38.1 x 40.6 cm MWe 20

 

EARTH SKIN
(September 8 - October 8, 2016)

We are pleased to present a ceramic exhibition in two parts called EARTH SKIN.

Clay is a mediation between the artistic impulses of the maker and a sense of Place and inner and outer landscapes.  Its tactility once fired satisfies human needs in much the same way a natural landscape vista immerses us not only in a recognition of our place in the universe but also the immediate place we dwell in.  Clay as a translator between artist, audience, and spirit. Evocation becomes manifestation.

In the sculptural part of the exhibition is the work of Melanie Ferguson, Rafa Perez, Phyllis K. Sullivan, Tim Rowan, Mike Weber, Mitch Iburg, Youngbin Lim, Eddie Curtis, Margaret Curtis, Tadashi Ito, Simcha Even-Chen, Rebecca Buck, Sarah Purvey, Shozo Michikawa, and Jane Wheeler.

The second part of the exhibition will be in our presentation room and will feature 25 chawan (tea bowls) presented as sculpture.  Artists represented will be: Peter Callas, Eddie Curtis, Margaret Curtis, Robert Fornell, Lisa Hammond, Shigemasa Higashida, Mitch Iburg, Osamu Inayoshi, Aki Katayama, Ryoji Koie, Touri Maruyama, Hideo Matsumoto, Shozo Michikawa, Richard Milgrim, Akihiro Nikaido, Toshio Ohi, Takao Okazaki, Akira Satake, Steve Sauer, Jeff Shapiro, Wasaburo Takahashi, Takashi Tanaka, Yoh Tanimoto, Kai Tsujimura, Shiro Tsujimura, and Mike Weber.

The ceramists in this two-part exhibition are poets in their medium.  They act as translators in the spaces they conjure and occupy with a sensual grace.  Skin responds to the hand.  It is that intimate.  This work is part of that response.

View fullsize  Aki Katayama Chawan, 2012 Ceramic 3.19 x 4.25 x 4.49 inches 8.1 x 10.8 x 11.4 cm AKi 7
View fullsize  Akihiro Nikaido Chawan, 2016 Clay with green Mashiko glaze 3 x 5 x 5 inches 7.6 x 12.7 x 12.7 cm ANk 50
View fullsize  Akihiro Nikaido Chawan, 2016 Ceramic with lacquer 3 x 4 x 4 inches 7.6 x 10.2 x 10.2 cm ANk 51
View fullsize  Akihiro Nikaido Chawan, 2016 Clay with 'rice white' Mashiko glaze 3 x 4.5 x 4.5 inches 7.6 x 11.4 x 11.4 cm ANk 52
View fullsize  Akira Satake Chawan, 2012 Stoneware 3.75 x 4.75 x 4.75 inches 9.5 x 12.1 x 12.1 cm ASa 26
View fullsize  Hideo Matsumoto Chawan (White & Blue) with Signed Box, 2005 Porcelain 4 x 4 x 4 inches 10.2 x 10.2 x 10.2 cm HMA 3
View fullsize  Jeff Shapiro Chawan, 2012 Ceramic 4 x 5 x 5 inches 10.2 x 12.7 x 12.7 cm JSh 48
View fullsize  Lisa Hammond Red Shino Faceted Chawan, 2013 Crank clay thrown cut and stretched, hand cut foot with red pine knife, fired in reduction, oil fired soda atmosphere to 1300 degree 3.25 x 4.25 x 4.25 inches 8.3 x 10.8 x 10.8 cm LHa 4
View fullsize  Mitch Iburg Ember Buried Tea Bowl, 2016 Handbuilt unprocessed California kaolin and fireclay, wood fired for 4 days 4 x 5 x 5 inches 10.2 x 12.7 x 12.7 cm Mib 17
View fullsize  Osamu Inayoshi Platinum, 2012 Seto clay, handbuilt, unglazed fired 2 times, with platinum glazed - fired 5 times 3.75 x 5.25 x 5.25 inches 9.5 x 13.3 x 13.3 cm Oin 3
View fullsize  Peter Callas Chawan, 2010 Natural ash glaze, wood fired ceramic 5 x 4 x 3.5 inches 12.7 x 10.2 x 8.9 cm PCa 15
View fullsize  Robert Fornell Oribe Chawan, 2012 Clay, oxidation fired to cone 7 3.5 x 4.5 x 4 inches 8.9 x 11.4 x 10.2 cm RFo 39
View fullsize  Ryoji Koie Chawan, 2010 Porcelain 5 x 4.75 x 3.5 inches 12.7 x 12.1 x 8.9 cm RKo 20
View fullsize  Richard Milgrim Kuro Oribe Chawan, 2013 Ceramic 3.5 x 4 x 4 inches 8.9 x 10.2 x 10.2 cm RMi 8
View fullsize  Shigemasa Higashida Snow Colored Shino Tea Bowl, 2011 Earthenware 4 x 5.5 x 5.5 inches 10.2 x 14 x 14 cm SHig 4
View fullsize  Steve Sauer Red Chawan, 2012 Hand dug stoneware clays and hand dug materials for shino slips Anagama fired 110 hour in Santatsugama (3 dragon kiln) 3 x 5 x 4.5 inches 7.6 x 12.7 x 11.4 cm SSa 3
View fullsize  Shiro Tsujimura Kuro-Oribe Chawan, 2007 Mixed iron, charcoal (mokutan), Chooseki, etc, and firing with 1300C. And then proceed by rapid cooling, make it become black color 3 x 6.5 x 5 inches 7.6 x 16.5 x 12.7 cm STs 2
View fullsize  Takao Okazaki Summer Chawan, 2008 Earthenware 3.5 x 6 x 6 inches 8.9 x 15.2 x 15.2 cm TAO 2
View fullsize  Touri Maruyama Hakeme Chawan, 2012 Ceramic, Red Mino clay 3.5 x 6.5 x 6.5 inches 8.9 x 16.5 x 16.5 cm TMar 9
View fullsize  Toshio Ohi Ohi Red Raku Tea Bowl, 2011 Ceramic 3.25 x 4.5 x 4.5 inches 8.3 x 11.4 x 11.4 cm TOh 1
View fullsize  Kai Tsujimura Kohiki Chawan with box, 2011 Fired ceramic, white slip kohiki 5 x 4.5 x 3 inches 12.7 x 11.4 x 7.6 cm TSK 6
View fullsize  Takashi Tanaka The Armor of Moonlight (bowl), 2014 Ceramic 3.25 x 4.5 x 4.5 inches 8.3 x 11.4 x 11.4 cm TTa 10
View fullsize  Wasaburo Takahashi Seiran Tenmoku-yu Chawan, 2011 Finishing: double dipping with Tenmoku glaze (black colored glaze) and Seiran glaze (blue colored glaze); glaze: Tenmoku-glaze (iron glaze); firing: reduction firing in gas kiln at 1250 C, fired twic
View fullsize  Margaret Curtis Chawan, 2016 Stoneware, reduction fired in brick built oil kiln at 1300 Celsius. Thrown and altered, black body with porcelain slip and celadon glaze. 3.5 x 4.5 x 4.5 inches 8.9 x 11.4 x 11.4 cm MCu 2
View fullsize  Mike Weber Matcha Chawan, 2016 Ceramic, high-fired in anagama wood-fire kiln for multiple days, shino glazed with natural forming ash glaze 4 x 5 x 4.5 inches 10.2 x 12.7 x 11.4 cm MWe 11
View fullsize  Joe Bruhin Chawan, 2016 Ceramic, natural ash glaze 4 x 5 x 5 inches 10.2 x 12.7 x 12.7 cm JoBr 1
View fullsize  Yoh Tanimoto Iga Chawan, 2011 Fired Ceramic 3.75 x 5 x 5 inches 9.5 x 12.7 x 12.7 cm YTa 4
Wednesday 09.14.16
Posted by caroline casey
 

THE ELOQUENT PLACE

View fullsize  Harald Stoffers Brief 295, 2014 Ink on paper 11.5 x 8 inches 29.2 x 20.3 cm HaS 17
View fullsize  Harald Stoffers Brief 336, 2014 Waterproof felt tip pen on paper 16.5 x 11.75 inches 41.9 x 29.8 cm HaS 18
View fullsize  Harald Stoffers Brief 262, January 9th, 2013 Ink on paper 23 x 13.5 inches 58.4 x 34.3 cm HaS 19
View fullsize  Harald Stoffers Brief 192, August 12th, 2011 Ink on paper 19.75 x 19.75 inches 50.2 x 50.2 cm HaS 21
View fullsize  Harald Stoffers Brief 163, 2010 Waterproof felt tip pen on cardboard 39.375 x 27.5 inches 100 x 69.9 cm HaS 23
View fullsize  Harald Stoffers Brief 180, 2011 Waterproof felt tip pen on cardboard 39.375 x 27.5 inches 100 x 69.9 cm HaS 24
View fullsize  Harald Stoffers Brief 212, 2012 Waterproof felt tip pen on cardboard 20 x 25.6 inches 50.8 x 65 cm HaS 25
View fullsize  Josef Hofer Untitled, 2009 Graphite, colored pencil/paper 11.65 x 16.54 inches 29.6 x 42 cm JHo 14
View fullsize  Josef Hofer Untitled, 2005 Graphite, colored pencil on paper 17.32 x 23.62 inches 44 x 60 cm JHo 18
View fullsize  Josef Hofer Untitled, 2007 Pencil, colored pencil on paper 17.32 x 23.62 inches 44 x 60 cm JHo 21
View fullsize  Josef Hofer Untitled, 2007 Pencil, colored pencil on paper 17.32 x 23.62 inches 44 x 60 cm JHo 22
View fullsize  Josef Hofer Untitled, 2007 Pencil, colored pencil on paper 19.69 x 27.56 inches 50 x 70 cm JHo 33
View fullsize  Josef Hofer Untitled, 2014 Pencil, colored pencil on paper 11.65 x 16.54 inches 29.6 x 42 cm JHo 45
View fullsize  Josef Hofer Untitled, 2014 Pencil, colored pencil on paper 19.69 x 27.56 inches 50 x 70 cm JHo 50
View fullsize  Josef Hofer Untitled, 2016 Pencil, colored pencil on paper 11.75 x 16.5 inches 29.8 x 41.9 cm JHo 61
View fullsize  Josef Hofer Untitled, 2016 Pencil, colored pencil on paper 11.75 x 16.5 inches 29.8 x 41.9 cm JHo 62
View fullsize  Josef Hofer Untitled, 2016 Pencil, colored pencil on paper 16.5 x 11.75 inches 41.9 x 29.8 cm JHo 63
View fullsize  Josef Hofer Untitled, 2016 Pencil, colored pencil on paper 17.25 x 23.5 inches 43.8 x 59.7 cm JHo 64
View fullsize  Josef Hofer Untitled, 2016 Pencil, colored pencil on paper 17.25 x 23.5 inches 43.8 x 59.7 cm JHo 65

THE ELOQUENT PLACE: 

NEW WORKS BY JOSEF HOFER & HARALD STOFFERS

September 8 – October 8, 2016

An underlying theme of much Art Brut is the artist's location of self in an often strange or hostile universe.  The artist often has an unspoken utilitarian intention for the work, namely the cataloguing of self and immediate environment in order to organize and ensure a rhythm of security in one's world.

Joseph Hofer (b. 1945 Austria) and Harald Stoffers (b. 1961 Germany) are two such artists.  Each literally takes the 'sounds of silence' and fleshes them out into descriptions of self-containment (as opposed to confinement).  The process of making art to heal oneself often has a transcendent effect as well.   Joseph Hofer is deaf and physically handicapped to the point where his mobility is seriously limited.  But one day in a shop he found a large mirror and this acquisition completely changed his worldview.  With the use of this mirror by his bed he began drawing self-portraits both clothed and nude contained within a drawn frame much like the one around the mirror.  Hofer's figures; the self-portraits, and the female nudes inspired by an Egon Schiele book he saw in the facility where he lives, are secure and confident, rather than trapped by their elaborate frames.  The emptiness is eliminated, the physicality is immediate, intense, and self-contained.

Harald Stoffers drawings are, conceptually at least, not that different in intention from what Hofer presents, though with a completely different style and process.  His epistles in artful cursives are letters to his mother in which he carefully lists the clothing he is wearing on that day and a list of the activities he will be pursuing.  He inventories his life to give it a cohesive and meaningful shape.  In doing so he creates a miraculous visual from a mundane life.  But though the letters are carefully shaped the rhythm of placement is abstracted, asymmetrical and meandering suggesting a possible turbulence under the grace. 

Both artists seek to establish a sense of internal and external Place by creating worlds that unfold within and around their own bodies. The act of drawing is a method of controlling survival; in Hofer's case figuratively, and in Stoffer's case by emotionally charging the written words with visual intensity.  For both the art becomes a conduit toward a way of balance and self-placement in the world.

Friday 09.09.16
Posted by caroline casey
 

Exhibition Opening Reception - 6-8pm, Thursday, September 8th

Josef Hofer, Untitled, 2016, Pencil, colored pencil on paper, 11.75 x 16.5 inches, 29.8 x 41.9 cm, JHo 61

Josef Hofer, Untitled, 2016, Pencil, colored pencil on paper, 11.75 x 16.5 inches, 29.8 x 41.9 cm, JHo 61

Harald Stoffers, Brief 192, August 12th, 2011, Ink on paper, 19.75 x 19.75 inches, 50.2 x 50.2 cm, HaS 21

Harald Stoffers, Brief 192, August 12th, 2011, Ink on paper, 19.75 x 19.75 inches, 50.2 x 50.2 cm, HaS 21

Wednesday 09.07.16
Posted by caroline casey
 

Check out this ArtNews article about the Cavin-Morris collection

Click here to read the full article.

Tuesday 09.06.16
Posted by caroline casey
 

Check out this great article about Jon Serl!

Click here to view article.

Thursday 08.18.16
Posted by caroline casey
 

Check out this great article about Solange Knopf

Click here to read the full article.

Tuesday 08.09.16
Posted by caroline casey
 

Check out this interview with Kevin Sampson

Thursday 08.04.16
Posted by caroline casey
 

Check out this Huffington Post article about outsider art and Kevin Sampson

Click here to view the article.

Thursday 07.28.16
Posted by caroline casey
 

RWA currently featuring artists from Cavin-Morris

Jamaican Pulse: Art and Politics from Jamaica and the Diaspora

(25 Jun 16 - 11 Sep 16)

The RWA presents a landmark exhibition of Jamaican visual art - the first major exhibition of its kind ever to be held in the UK, co-curated on behalf of the RWA by Kat Anderson and Graeme Mortimer Evelyn.

At a time when Jamaican art is receiving growing international acclaim, Jamaican Pulse showcases the extraordinary diversity of Jamaican art, presenting contemporary artwork alongside key works from Jamaican art history.

While exploring the roots of modern Jamaican art and suggesting new links between past and present, the exhibition also explores the artwork through a political lens and considers how global attitudes to body, gender, religion, class and sexuality have impacted this small island nation. By creating a conversation between the Jamaican Diaspora population across the UK and internationally, Jamaican Pulse looks back at early artistic and political awakening, whilst also creating a platform for contemporary artists.

Many of the contemporary artists in the exhibition also featured in the recent, critically- acclaimed Jamaica Biennale. Their work spans multiple disciplines including painting, sculpture, photography, textiles and moving image, and will be supported by twentieth century artwork from a number of public and private collections, including the Jamaican High Commission, London, and The National Gallery of Jamaica, Kingston.

Jamaican Pulse will be accompanied by an exciting learning and participation programme, with activities taking place on and off-site, including a satellite programme at The Bluecoat, Liverpool.

Jamaican Pulse is delivered in partnership with the Jamaican High Commission and is supported by Arts Council England and the Art Fund. It is co-curated by Kat Anderson and Graeme Mortimer Evelyn on behalf of the RWA.

Royal West of England Academy, Queens Road, Bristol BS8 1PX

www.rwa.org.uk

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    Friday 07.22.16
    Posted by caroline casey
     

    "Outsider Art Fair Paris Shakes Things Up With Slew of New Galleries"

    Click here to read full article: https://news.artnet.com/market/2016-exhibitor-list-outsider-art-fair-562952

    Thursday 07.21.16
    Posted by caroline casey
     

    Asafo Flag Catalog available online now

    Click here to view the catalog

    Wednesday 07.13.16
    Posted by caroline casey
     

    Spotlight (June 30 - August 19, 2016)

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    Friday 07.08.16
    Posted by caroline casey
     

    Summer Spotlight

    View fullsize   Gregory Van Maanen    The Science of Writing  , 8/28/1981 Acrylic on board 12.5 x 17.25 inches 31.8 x 43.8 cm GVM 73
    View fullsize   Gregory Van Maanen    Woman  , 5/1/1984 Acrylic on canvas 24 x 16 inches 61 x 40.6 cm GVM 98
    View fullsize   Gregory Van Maanen    Wolfgang (the Lizard) Before The War  , 5/1/1986 Acrylic on canvas 18 x 14 inches 45.7 x 35.6 cm GVM 116
    View fullsize   Gregory Van Maanen    Untitled (Splayed Figure on Yellow)  , 1978 Acrylic on board 28.5 x 22 inches 72.4 x 55.9 cm GVM 128
    View fullsize   Gregory Van Maanen    Spirit Hand  , 1993 Oil, enamel, acrylic on wood 66 x 48 inches 167.6 x 121.9 cm GVM 754
    View fullsize   Gregory Van Maanen    Contact/Guardian Angel   Acrylic on canvas 37 x 32 inches 94 x 81.3 cm GVM 2480
    View fullsize   J.B. Murray    Untitled  , c. 1978-1988 Tempera, marker, crayon, and ink on paper 23.75 x 18 inches 60.3 x 45.7 cm JBM 431
    View fullsize   J.B. Murray    Untitled  , c. 1978-1988 Tempera, marker on paper 24 x 18 inches 61 x 45.7 cm JBM 435
    View fullsize   J.B. Murray    Untitled  , c. 1978-1988 Tempera and ink on paper 24 x 18 inches 61 x 45.7 cm JBM 439
    View fullsize   J.B. Murray    Untitled  , c. 1978-1988 Tempera and ink on paper 25 x 19 inches 63.5 x 48.3 cm JBM 471
    View fullsize   J.B. Murray    Untitled  , c. 1978-1988 Tempera and marker on paper 24 x 18 inches 61 x 45.7 cm JBM 487
    View fullsize   J.B. Murray    Untitled   , c. 1978-1988 Tempera on paper 25 x 19 inches 63.5 x 48.3 cm JBM 502
    View fullsize   Joseph Lambert    Untitled  , 2012 Mixed media on cardboard 8.5 x 14.49 inches 21.6 x 36.8 cm JLam 4
    View fullsize   Joseph Lambert    Untitled  , 2014 Mixed media on paper 18.11 x 25.2 inches 46 x 64 cm JLam 5
    View fullsize   Joseph Lambert    Untitled  , 2015 Mixed media on cardboard 19.69 x 27.56 inches 50 x 70 cm JLam 6
    View fullsize   Joseph Lambert    Untitled  , 2014 Mixed media on paper 10.12 x 20.24 inches 25.7 x 51.4 cm JLam 10
    View fullsize   Joseph Lambert    Untitled  , 2014 Mixed media on paper 10.12 x 20.24 inches 25.7 x 51.4 cm JLam 11
    View fullsize   Joseph Lambert    Untitled  , 2015 Mixed media on paper 11.69 x 16.54 inches 29.7 x 42 cm JLam 12
    View fullsize   Melanie Ferguson    Urchin 12  , 2013 Handbuilt stoneware (coil method), sgraffito, oxide stains, crackle slip 15 x 11 x 8 inches 38.1 x 27.9 x 20.3 cm MFe 4
    View fullsize   Melanie Ferguson    Urchin 9  , 2013 Handbuilt stoneware (coil method), sgraffito, oxide stains, crackle slip 11 x 12 x 8 inches 27.9 x 30.5 x 20.3 cm MFe 5
    View fullsize   Melanie Ferguson    Rippled Resonance Inhales The Way  , 2013 Handbuilt stoneware (coil method), sgraffito, oxide stains, crackle slip 14 x 13 x 9 inches 35.6 x 33 x 22.9 cm MFe 6
    View fullsize   Melanie Ferguson    Circles In The Sand  , 2014 Handbuilt stoneware, sgraffito, flashing slips, oxide stains, celedon liner. Soda fired, heavy reduction 11 x 12.5 x 10 inches 27.9 x 31.8 x 25.4 cm MFe 25
    View fullsize   Melanie Ferguson    Voices In The Wind  , 2015 Handbuilt stoneware, sgraffito, crackle and flashing slips, oxide stains, black matt glaze liner. Soda fired, heavy reduction 12 x 10 x 9 inches 30.5 x 25.4 x 22.9 cm MFe 26
    View fullsize   Melanie Ferguson    Ripe Berries Moon  , 2015 Handbuilt stoneware, flashing slips, oxide stains, soda fired, heavy reduction 15 x 10 x 8 inches 38.1 x 25.4 x 20.3 cm MFe 27
    View fullsize   Melanie Ferguson    Their Eyes Grew Round Like Moons  , 2015 Hand built stoneware, flashing slip, oxide stains, Pier Black liner, soda fired in heavy reduction 13 x 16 x 10 inches 33 x 40.6 x 25.4 cm MFe 30
    View fullsize   Melanie Ferguson    Engaging Currents of an Endless Sea  , 2016 Hand built stoneware, flashing slip, oxide stains, wood, iron, steel; fired in soda 13.5 x 16.5 x 11 inches 34.3 x 41.9 x 27.9 cm MFe 31
    View fullsize   Melanie Ferguson    Restricted Zone  , 2016 Hand built stoneware, sgraffito, flashing slip, oxide stains, celedon liner, gas fired soda 8 x 13 x 13 inches 20.3 x 33 x 33 cm MFe 32
    View fullsize   Melanie Ferguson    Flying Above The Storm  , 2016 Hand built stoneware, flashing slip, oxide stains, wood; fired in soda 13 x 14 x 10 inches 33 x 35.6 x 25.4 cm MFe 33
    View fullsize   Melanie Ferguson    Battles Left Behind  , 2016 Hand built lidded vessel; stoneware, flashing slip, glaze, oxide stains, gas fired in soda, bone, glass, dandelion seed, wire, silver, leather 17 x 13.5 x 10 inches 43.2 x 34.3 x 25.4 cm MFe 34
    View fullsize   Rafa Perez    Untitled  , 2011 Ceramic 6 x 8.5 x 5.5 inches 15.2 x 21.6 x 14 cm RPe 5
    View fullsize   Rafa Perez    Untitled  , 2011 Ceramic 6.25 x 11 x 5.75 inches 15.9 x 27.9 x 14.6 cm RPe 11
    View fullsize   Rafa Perez    Untitled  , 2011 Ceramic 7.5 x 12 x 5.5 inches 19.1 x 30.5 x 14 cm RPe 14
    View fullsize   Rafa Perez    Untitled  , 2011 Ceramic 2.5 x 12 x 9.75 inches 6.4 x 30.5 x 24.8 cm RPe 22
    View fullsize   Rafa Perez    Untitled  , 2011 Ceramic 5.5 x 8 x 8 inches 14 x 20.3 x 20.3 cm RPe 23
    View fullsize   Rafa Perez    Untitled  , 2012 Porcelain, fired at 1150 degrees 23.62 x 14.17 x 11.02 inches 60 x 36 x 28 cm RPe 26
    View fullsize   Rafa Perez    Untitled  , 2015 Steel mesh, porcelain, and clay fired at 1160 degrees 17.5 x 10 x 6 inches 44.5 x 25.4 x 15.2 cm RPe 49
    View fullsize   Jon Serl    Pornography  , n.d. Oil on cardboard 24 x 40 inches 61 x 101.6 cm SJ 78
    View fullsize   Jon Serl    Tall Harmony  , n.d. Oil on board 42.5 x 18.5 inches 108 x 47 cm SJ 111
    View fullsize   Jon Serl    Procession  , n.d. Oil on canvas 33 x 20 inches 83.8 x 50.8 cm SJ 492
    View fullsize   Jon Serl    Behind The Game  , 1988 Oil on canvas 38 x 24 inches 96.5 x 61 cm SJ 497
    View fullsize   Jon Serl    Five Nuns   Oil on board 31 x 48 inches 78.7 x 121.9 cm SJ 498
    View fullsize   Jon Serl    Venice Carnival  , 1958 Oil on board 20.45 x 20.75 inches 51.9 x 52.7 cm ST 51
    View fullsize   Tony Pedemonte    Untitled  , 2015 Fiber and wood 19 x 16 x 9 inches 48.3 x 40.6 x 22.9 cm TPed 13
    View fullsize   Tony Pedemonte    Untitled  , 2012 Fiber and wood 9 x 24 x 17 inches 22.9 x 61 x 43.2 cm TPed 16
    View fullsize   Tony Pedemonte    Untitled  , 2012 Fiber and wood 10 x 6.5 x 24 inches 25.4 x 16.5 x 61 cm TPed 17
    View fullsize   Tony Pedemonte    Untitled  , 2014 Fiber and wood 8 x 12 x 23 inches 20.3 x 30.5 x 58.4 cm TPed 20
    View fullsize   Tony Pedemonte    Untitled  , 2011 Fiber and wood 19 x 21 x 34 inches 48.3 x 53.3 x 86.4 cm TPed 22
    View fullsize   Tony Pedemonte    Untitled  , 2016 Fiber and wood 9 x 22 x 28 inches 22.9 x 55.9 x 71.1 cm TPed 23
    View fullsize   Tim Rowan    Untitled  , n.d. Woodfired ceramic 8 x 7.5 x 9 inches 20.3 x 19.1 x 22.9 cm TR 118
    View fullsize   Tim Rowan    Untitled  , 2015 Ceramic 18 x 4.25 x 4.25 inches 45.7 x 10.8 x 10.8 cm TR 158
    View fullsize   Tim Rowan    Untitled  , 2015 Ceramic 17 x 4 x 4 inches 43.2 x 10.2 x 10.2 cm TR 159

    CAVIN-MORRIS SUMMER SPOTLIGHT

    (JUNE 30 - AUGUST 19, 2016)

    Cavin-Morris Gallery is pleased to present the first in a series of bi-annual exhibitions spotlighting some of the artists represented by the gallery.  Each artist will be exhibited on his or her own wall or separate section of floor space.  This summer we are featuring Jon Serl, Gregory Van Maanen, J.B. Murray, and Joseph Lambert for the walls, and Melanie Ferguson, Rafa Perez, Tony Pedemonte and Tim Rowan on the floor.

    These are artists we have been privileged to work with during all phases of the gallery's history.  Jon Serl and Gregory Van Maanen are two of the artists we have worked with the longest, and Melanie Ferguson, Joseph Lambert, and Tony Pedemonte are some of the most recent artists to join us.

    Jon Serl lived to be one of the oldest self-taught artists in America, working until he was 98 years old.  His work is a poetic document of LGBT life in this country between the World Wars.  He was a carnival performer and a chuck wagon chef, and started painting in the late 40s.   His work is known for the way he reveled in the sheer glory of drawing with paint.  

    Gregory Van Maanen's visionary work is about the transformation of violent energy into the process of making edgy art about healing and forgiveness without sentimentality.  His images are clean and tough and otherworldly.  A large number of his early paintings and sculptures can be seen in the permanent collection of John Michael Kohler Arts Center, Sheboygan, WI.

    Master artist J.B. Murray was an African-American visionary whose work spoke to the trials and tribulations of his poor community, and to saving the souls of all black people.  He wrote in asemic calligraphy—invented writing-- that came through his hands from the Holy Spirit.  He considered much of his work to be amuletic in purpose and power. 

    Joseph Lambert creates topographies of language.  His spiraling marks are his attempts to express himself to the world to counteract his inability or reluctance to communicate verbally.  They convey a visual expression of synesthesia, a state where different sensory perceptions combine; in this case sound or speech, sight or color and line.

    Tony Pedemonte takes the process of wrapping to a personal and viscerally expressive place.  His process is different than that of Judith Scott, who worked before Pedemonte at Creative Growth in Oakland.  Both have created enigmatic sculptures passionately wrapped in layers of materials.  Pedemonte chooses fewer colors of threads to wrap these personally chosen, and frequently hand-assembled objects. In comparison to Scott, his work is more minimal, while still maintaining a totemic quality. 

    For our ceramics selection we chose three wonderful artists as different from each other in intention and result as could possibly be.  There is an almost occult spirituality in the beautifully surfaced sculptures of Melanie Ferguson (Georgia, USA).  She captures aspects of place and landscape in the skins of her pieces and yet has imbued them with a sense of lunar and tidal timelessness. 

    Rafa Perez (Spain) has a seemingly unlimited vocabulary of imagination in his never-repeating variations on solid organic asymmetrical forms.  He is a master of his materials and his restlessness has resulted in a body of work that is ongoing and ever-pushing his own envelope.

    Tim Rowan (New York, USA) also carries an intense sense of place in his pieces coupled with a hint of Japanese sensibility, which he took away from his apprenticeship with Ryuichi Kakurezaki. Yet, rather than a sense of impermanence, his work carries a graceful earthy sense of monumental permanence, a presence that doesn't disappear even when those monuments are in ruins.

    For further information please contact Cavin-Morris Gallery at info@cavinmorris.com, or phone: 212-226-3768.

    Friday 07.01.16
    Posted by caroline casey
     

    Cavin-Morris Summer Spotlight

    Gregory Van Maanen, Spirit Hand, 1993, Oil, enamel, acrylic on wood, 66 x 48 inches, 167.6 x 121.9 cm, GVM 754

    Gregory Van Maanen, Spirit Hand, 1993, Oil, enamel, acrylic on wood, 66 x 48 inches, 167.6 x 121.9 cm, GVM 754

    CAVIN-MORRIS SUMMER SPOTLIGHT 

    (JUNE 30 - AUGUST 19, 2016)

    Cavin-Morris Gallery is pleased to present the first in a series of bi-annual exhibitions spotlighting some of the artists represented by the gallery.  Each artist will be exhibited on his or her own wall or separate section of floor space.  This summer we are featuring Jon Serl, Gregory Van Maanen, J.B. Murray, and Joseph Lambert for the walls, and Melanie Ferguson, Rafa Perez, Tony Pedemonte and Tim Rowan on the floor.

    These are artists we have been privileged to work with during all phases of the gallery's history.  Jon Serl and Gregory Van Maanen are two of the artists we have worked with the longest, and Melanie Ferguson, Joseph Lambert, and Tony Pedemonte are some of the most recent artists to join us.

    Jon Serl lived to be one of the oldest self-taught artists in America, working until he was 98 years old.  His work is a poetic document of LGBT life in this country between the World Wars.  He was a carnival performer and a chuck wagon chef, and started painting in the late 40s.   His work is known for the way he reveled in the sheer glory of drawing with paint.  

    Gregory Van Maanen's visionary work is about the transformation of violent energy into the process of making edgy art about healing and forgiveness without sentimentality.  His images are clean and tough and otherworldly.  A large number of his early paintings and sculptures can be seen in the permanent collection of John Michael Kohler Arts Center, Sheboygan, WI.

    Master artist J.B. Murray was an African-American visionary whose work spoke to the trials and tribulations of his poor community, and to saving the souls of all black people.  He wrote in asemic calligraphy—invented writing-- that came through his hands from the Holy Spirit.  He considered much of his work to be amuletic in purpose and power. 

    Joseph Lambert creates topographies of language.  His spiraling marks are his attempts to express himself to the world to counteract his inability or reluctance to communicate verbally.  They convey a visual expression of synesthesia, a state where different sensory perceptions combine; in this case sound or speech, sight or color and line.

    Tony Pedemonte takes the process of wrapping to a personal and viscerally expressive place.  His process is different than that of Judith Scott, who worked before Pedemonte at Creative Growth in San Francisco.  Both have created enigmatic sculptures passionately wrapped in layers of materials.  Pedemonte chooses fewer colors of threads to wrap these personally chosen, and frequently hand-assembled objects. In comparison to Scott, his work is more minimal, while still maintaining a totemic quality. 

    For our ceramics selection we chose three wonderful artists as different from each other in intention and result as could possibly be.  There is an almost occult spirituality in the beautifully surfaced sculptures of Melanie Ferguson (Georgia, USA).  She captures aspects of place and landscape in the skins of her pieces and yet has imbued them with a sense of lunar and tidal timelessness. 

    Rafa Perez (Spain) has a seemingly unlimited vocabulary of imagination in his never-repeating variations on solid organic asymmetrical forms.  He is a master of his materials and his restlessness has resulted in a body of work that is ongoing and ever-pushing his own envelope.

    Tim Rowan (New York, USA) also carries an intense sense of place in his pieces coupled with a hint of Japanese sensibility, which he took away from his apprenticeship with Ryuichi Kakurezaki. Yet, rather than a sense of impermanence, his work carries a graceful earthy sense of monumental permanence, a presence that doesn't disappear even when those monuments are in ruins.

    For further information please contact Cavin-Morris Gallery at info@cavinmorris.com, or phone: 212-226-3768.

    Saturday 06.25.16
    Posted by caroline casey
     

    Secular Mystic: M’onma Returns to New York

    Read full article here: http://brutforce.com/secular-mystic-monma-returns-new-york/

    Friday 06.03.16
    Posted by caroline casey
     

    M'onma: Trance Pilgrimage Online Catalog

    Click here to view the catalog:

    Wednesday 06.01.16
    Posted by caroline casey
     

    Opening reception and Ikebana ceremony

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    Special thanks to Mario Hirama, Akihiro Nikaido, Yuko Kimura, and M'onma.

    Friday 05.20.16
    Posted by caroline casey
     

    Opening Reception: Thursday, May 19th, 6-8pm

    Saturday 05.14.16
    Posted by caroline casey
     

    Capture the Flag

    Check out this great article by John Foster about Asafo Flags!

    http://designobserver.com/feature/capture-the-flag/39301/

    AfricaAsafo Flag - Fante People - Ghana, Pre 1957Cotton fabric with felt38 x 49.5 inches96.5 x 125.7 cmAF 365

    Africa
    Asafo Flag - Fante People - Ghana, Pre 1957
    Cotton fabric with felt
    38 x 49.5 inches
    96.5 x 125.7 cm
    AF 365

    Friday 05.13.16
    Posted by caroline casey
     

    Faceshifting II Catalog now available on ISSUU

    Click here to view the catalog

    Thursday 05.12.16
    Posted by caroline casey
     
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